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Tuesday, March 20, 2012

CAB CALLOWAY - Another thing I never learned in school - NOW I KNOW




I accidentally came across the PBS TV American Masters tonight, while working in the kitchen and loved the hour documentary Cab Calloway: Sketches.

I don't know if it will be aired in your area, but it is FABulous. It ran in the month of February, for Black history month, although I saw it tonight (in March).

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I especially loved the dance at 3:30 in this video, which comes at the end of the documentary.

Stever Brodner creates a second sketch of Cab Calloway to Calloway's classic hit "Minnie The Moocher" for the documentary AMERICAN MASTERS Cab Calloway: Sketches, premiered nationally Monday, February 27, 2012. Brodner's completed sketch comes alives and dances alongside Matthew Rushing, choreographer/principal dancer of Alvin Ailey American Dance Theater. In the New York metro-area the film aired Sunday, February 26, 2012.

Watch full documentary online
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Watch Cab Calloway: Sketches on PBS. See more from American Masters.

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Tuesday, February 1, 2011

I'LL FLY AWAY ~ TV SERIES ~ WE DESERVE ANOTHER LOOK

The television series I'll Fly Away has remained with me since it aired in 1991. It was set in the late 1950's and early 1960's and aired for two seasons on NBC from 1991 to 1993. Then like many intelligent TV USA shows on the three networks (ABC, CBS and NBC) it was cancelled, short-changing people like me. PBS aired the episodes again, but only once. PBS also apparently sponsored a 2 hour wrap up of the storylines that were left after season 2 had been cancelled by NBC. I am assuming that PBS may still own the rights to this series. If they do, they most definitely should air it again, but maybe forever the series will be kept from us. What a shame that will be. With some of the music used on the series, perhaps that is an issue. I don't know.

It would be so wonderful to have the opportunity to purchase the series on DVDs. There is such junk on TV and it is put on DVDs. How about some quality from past series, such as I'll Fly Away?

I found some old VHS tapes that I have with the show recorded on them. The tape has degraded over time and it has proven difficult to transfer them to DVDS. After searching for the series professionally done on DVD and finding that the series has never been for sale, I have tried to salvage what I have. Some of the recordings unfortunately were mistakenly recorded over.

I believe the clips in the video below are from the very first episode. I am not positive, but it appears to be.

The two main characters are played by Sam Waterston and Regina Taylor. I first had seen Sam Waterston in the 7-part PBS series titled Oppenheimer (which you can buy on dvd at Amazon.com/Oppenheimer-Sam-Waterston). See a clip of Oppenheimer by BBC at imdb.

From the ending monologue at the end of this I'll Fly Away episode:
Lilly ~ "Everybody's got their troubles. That's a fact. Everybody lives in their own world. And everybody lives in the same world. Maybe, if I understood other people better, I'd have a better fix on myself. I feel like I'm trying to be something I'm supposed to be. But, I don't know who that is. Mr. Bedford seems me to be a man who's also trying to be something he thinks he's supposed to be. But there's something inside him that wants to get out."

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I'LL FLY AWAY ~ created by Joshua Brand and John Falsey ~ "Everybody's got their own troubles" [HQ] ~12:38

This video is made from a degraded video tape, generated down: dvd, then Quick Time, compressed in software editing program and here at Facebook again. It includes the opening and ending of the two hour Christmas special.

Who owns the TV Series I'll Fly Away today? I just sent this email text to PBS/WGBH (feedback@wgbh.org) regarding I'll Fly Away:

Dear PBS,

If PBS still owns the rights to the TV series I'll Fly Away, I would like to request PBS consider airing it again. It is an extraordianary show, with wonderful writing and excellent presentation. It is not available on DVD and the many people who loved it do not have the opportunity to see it again. With all the racist undertones at the present time in the USA, it would be healthy for the country's people to see it.

Here is their contact information:
WGBH/Channel 2
Boston, MA 02135
Phone: 617-300-5400
Email: feedback@wgbh.org

UPDATE
February 2, 2011
I received a reply from PBS regarding my email above today. Here is the reply pasted here:


Dear Ms. Hammel,

Thank you for your interest in WGBH. We always appreciate hearing from our viewers, listeners, and Web site visitors.

The program you cited, I'll Fly Away, is not currently scheduled to air on any of WGBH's channels. However, we have relayed your request for WGBH to air an encore of this program to our broadcast manager. In the meantime, you can check for an encore performance from time to time at our website, WGBH.org. On the left navigation bar, choose "TV" then "Programs A-Z" (the first letter of your program - or series, if that applies). If your program is scheduled it will appear in the list with air dates included.

We hope you continue to enjoy the programs on WGBH - produced in Boston, shared with the world.

To support the WGBH programs and services you enjoy every day, we urge you to contact us at 617-300-3300 (M-F, 9-5) - or at 800-492-1111 at other times - or pledging online at http://www.wgbh.org/pledge.

Sincerely,
WGBH Member Services

WGBH enriches people's lives through programs and services that educate, inspire, and entertain, fostering citizenship and culture, the joy of learning, and the power of diverse perspectives.

❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧❧

From Wikipedia ~
I'll Fly Away is a television series set during the late 1950s and early 1960s,[1][2][3] in an unspecified Southern U.S. state. It aired on NBC from 1991 to 1993 and starred Regina Taylor as Lilly Harper, a black housekeeper for district attorney Forrest Bedford (Sam Waterston) and his family. As the show progressed, Lilly became increasingly involved in the Civil Rights Movement, with events eventually drawing in Forrest as well.

I'll Fly Away won two 1992 Emmy Awards (Eric Laneuville for Outstanding Individual Achievement in Directing in a Drama Series, and series creators Joshua Brand and John Falsey for Outstanding Individual Achievement in Writing in a Miniseries or a Special), and 23 nominations in total. It won three Humanitas Prizes, two Golden Globe Awards, two NAACP Image Awards for Outstanding Drama Series, and a Peabody Award. However, the series was never a ratings blockbuster, and it was cancelled by NBC in 1993, despite widespread protests by critics and viewer organizations.[4]

After the program's cancellation, a two hour movie, I'll Fly Away: Then and Now, was produced, in order to resolve dangling storylines from Season 2, and provide the series with a true finale. The movie aired on October 11, 1993 on PBS. Its major storyline closely paralleled the true story of the 1955 murder of Emmett Till in Money, Mississippi. Thereafter, PBS began airing repeats of the original episodes, ceasing after one complete showing of the entire series.

The series takes its name from a Christian hymn written in 1929 by Albert E. Brumley.

Trivia ~

  • Series creators Joshua Brand and John Falsey have stated that the inspiration for the series was the classic 1962 film To Kill a Mockingbird. While the film centers around attorney Atticus Finch and his family, the pair wondered about the life of Calpurnia, the Finches' African-American maid. Her story goes unexplored in the movie. A serious and seemingly well-educated individual who is respected by her employers, Calpurnia is the inspiration for the character Lilly Harper in I'll Fly Away.
  • The role of Nathaniel "Nathan" Bedford originally went to Jason London. When he had to turn it down because of a scheduling conflict, his identical twin brother Jeremy London auditioned and won the role. When a scheduling conflict prevented Jeremy from appearing in the series finale I'll Fly Away: Then and Now, Jason took Jeremy's place.
  • Nathan Bedford Forrest was a Confederate general during the Civil War, and one of the founders of the Ku Klux Klan. His full name is used to provide the surname for the Bedford family, as well as the first names of the Forrest and Nathan characters.
  • Sam Waterston's most famous role (other than Law & Order's Jack McCoy) has been President Abraham Lincoln, whom he has portrayed more than once on stage and screen.
  • Sam Waterston and Regina Taylor were reunited in 1994 when Taylor guest-starred in the fifth-season Law & Order episode "Virtue".
  • Each episode features an opening and closing narration by Lilly, each one an excerpt from an entry in her diary. In the series finale, it is revealed that the diary forms the basis of a book written by Lilly in the early 1990s entitled I'll Fly Away.

Regular cast

  • Sam Waterston: Forrest Bedford
  • Regina Taylor: Lilly Harper
  • Jeremy London: Nathaniel "Nathan" Bedford (except I'll Fly Away: Then and Now)
  • Ashlee Levitch: Francie Bedford
  • John Aaron Bennett: John Morgan Bedford
  • Kathryn Harrold: Christina LeKatzis (except I'll Fly Away: Then and Now)
  • Peter Simmons: Paul Slocum (recurring in Season 1, principal cast thereafter)
  • Jason London: Nathaniel "Nathan" Bedford (I'll Fly Away: Then and Now only)
Awards ~
  • 1992: Emmy Award – Director, Drama SeriesEric Laneuville
  • 1992: Emmy Award – Writing, Miniseries or Special – John Falsey & Joshua Brand
  • 1992: Emmy Award – Drama Series (nominated)
  • 1992: Emmy Award – Made for Television Movie (nominated)
  • 1992: Emmy Award – Actor, Drama Series – Sam Waterston (nominated)
  • 1992: Emmy Award – Actress, Drama Series – Regina Taylor (nominated)
  • 1992: Emmy Award – Supporting Actress, Drama Series – Mary Alice (nominated)
  • 1993: Emmy Award – Supporting Actress, Drama Series – Mary Alice
  • 1993: Emmy Award – Drama Series (nominated)
  • 1993: Emmy Award – Director, Drama Series – Eric Laneuville (nominated)
  • 1993: Emmy Award – Actor, Drama Series – Sam Waterston (nominated)
  • 1993: Emmy Award – Guest Actress, Drama Series – Rosanna Carter (nominated)
  • 1992: Golden Globe Award – TV Series, Drama (nominated)
  • 1992: Golden Globe Award – Actor, TV Series, Drama – Sam Waterston (nominated)
  • 1993: Golden Globe Award – Actor, TV Series, Drama – Sam Waterston
  • 1993: Golden Globe Award – Actress, TV Series, Drama – Regina Taylor
  • 1993: Golden Globe Award – TV Series, Drama (nominated)
  • 1994: NAACP Image Award – Drama Series, Miniseries or Television Movie
  • 1994: NAACP Image Award – Actor, Drama Series, Miniseries or Television MovieDorian Harewood
  • 1995: NAACP Image Award – Drama Series
  • 1995: NAACP Image Award – Actress, Drama Series – Regina Taylor
References ~

  1. ^ The episode "Some Desperate Glory" (Season 1, Episode 9) depicts the marquee of a local movie theater, listing Auntie Mame as the main feature. This film was first released in the United States in December 1958, implying that the first season of I'll Fly Away takes place in 1958 and 1959. However, in "The Slightest Distance" (Season 1, Episode 22), a U.S. Justice Department official remarks that a "new administration" about to take office. Clearly a reference to President John F. Kennedy, this would place the first season's latter episodes between the November 8, 1960 election and the January 20, 1961 inauguration.
  2. ^ In "Freedom Bus" (Season 2, Episode 6), Robert F. Kennedy is referred to as the United States Attorney General, an office he assumed in 1961. Subsequently, in "State" (Season 2, Episode 16), Joe Clay is seen browsing through a 1962 Chevrolet catalogue.
  3. ^ The bulk of the series finale I'll Fly Away: Then and Now is a flashback to events occurring in the summer of 1962.
  4. ^ John J. O'Connor (October 11, 1993). "Review/Television; PBS Revives a Series On Race and America". The New York Times. http://www.nytimes.com/1993/10/11/arts/review-television-pbs-revives-a-series-on-race-and-america.html.
  5. ^ The episode "Slow Coming Dark" (Season 1, Episode 17) depicts an automobile with alicense plate registered in "Bryland", as opposed to one of the 50 states. A subsequent episode, "Freedom Bus" (Season 2, Episode 6), depicts a motorcycle with a similar license plate.
  1. ^ The notion that Georgia is the setting for the series finds credence in several episodes. In "The Third Man" (Season 2, Episode 10), Forrest Bedford coerces a Klan infiltrator into maintaining his cover by threatening to have him imprisoned in the Atlanta Federal Penitentiary. In "State" (Season 2, Episode 16), Lilly Harper – while discussing a freedom school to be opened in Bryland – mentions the possibility of using students from Morehouse College (a historically Black college in Atlanta) as teachers. Moreover, in the final scene of "State", two African-American students (one male, one female) are shown integrating the local state university, with federal troops protecting them from a mob of jeering White students. The scene is reminiscent of the 1961 integration of the University of Georgia by Hamilton E. Holmes and Charlayne Hunter. Finally, in the series finale I'll Fly Away: Then and Now, Lilly reads from a novel she has written, one which is clearly based upon her own life. The protagonist of the novel states that she was born in "a small Southern town located on a parched southwestern plot of Georgian soil."
Source: wikipedia

Same video at Youtube
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Several seconds of the song All I Could Do is Cry is sung by Etta James (the song was in the original episode) is included in this clip.

Raw title for Youtube: Lilly ~ I'll Fly Away ~ Everybody's Got Their Troubles ~ 2 hour special 720X480 4,3.mov
Raw title for Facebook: Lilly ~ I'll Fly Away ~ Everybody's Got Their Troubles ~ 2 hour special 720x480 FB Hi Q.mov

Tags: I'll Fly Away, Sandra Hammel, ilovemylife, Joshua Brand, John Falsey, Sam Waterston, Regina Taylor,Jeremy London, Peter Simmons, Jeremy London, Rae'Ven_L_Kelly, Bill Cobbs, Brad Sullivan, Mary Alice, Kathryn Harrold, PBS

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Friday, October 8, 2010

GOD AND US

Religion in the USA is the focus of this PBS series on American Experience's Frontline

Although I don't consider myself as a religious person, I was raised in a very religious family and environment. Very fundamentalist, very conservative and not encouraged to think for myself/ourselves...beyond what we were told is the truth. I don't fit in my family's plan for me. I am therefore a misfit, an outcast, a "disappointment" to what was expected of me and judgment from the members has always been present.

I approve of me. Although at times, I would prefer to feel like I fit in my family, it is necessary that it is enough that I am okay with who and what I am. Being a "member" has been secondary to living a life that is not pretentious and in my truth.

But, I am interested in learning why I am what I am and where I "came from". So this American Experience's Frontline series sounds interesting to me. I plan to watch it. It is always online if you miss it when it airs on TV.
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Watch the full episode. See more FRONTLINE.

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October 11 God in America: Episodes 1 & 2

October 12 God in America: Episodes 3 & 4

October 13 God in America: Episodes 5 & 6

Excerpts from the PBS website about God in America

...For the first time on television, God in America, a presentation of AMERICAN EXPERIENCE and FRONTLINE, will explore the historical role of religion in the public life of the United States. The six-hour series, which interweaves documentary footage, historical dramatization and interviews with religious historians, will air over three consecutive nights on PBS beginning Oct. 11, 2010....

..."The American story cannot be fully understood without understanding the country's religious history," says series executive producer Michael Sullivan. "By examining that history, God in America will offer viewers a fresh, revealing and challenging portrait of the country."...

..."Americans are awash in a sea of faith, but their knowledge about religious faiths and religious history often runs as shallow as their commitment to religion runs deep," notes Stephen Prothero, chief editorial consultant for God in America, professor of religion at Boston University, and author of Religious Literacy: What Every American Needs to Know -- And Doesn't. "A series like God in America can help correct that imbalance and provide the basis for a common understanding of the role religion has played in American public life."...

And this series will be airing again....

We Shall Remain

~ this is a "must see" about the people who lived here before the immigrants came and took their land and denied them to live their lives in the freedom they had before the government of the USA was formed

October 18 We Shall Remain: After the Mayflower

October 25 We Shall Remain: Tecumseh's Vision

November 1 We Shall Remain: Trail of Tears


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Monday, April 26, 2010

WATCH "FOOD INC" ONLINE UNTIL APRIL 29, 2010

Watch Food, Inc. Online

How much do we know about the food we buy at our local supermarkets and serve to our families? Though our food appears the same as ever — a tomato still looks like a tomato — it has been radically transformed. Find out how by watching Food, Inc., available online through next Thursday, April 29, 2010.

EXPLORE: Health & Health Care, Family & Society, Environment

I REPEAT
Watch Food, Inc. Online - Click post title

Food, Inc. will be streaming online in its entirety through next Thursday, April 29, 2010.

On Tuesday, April 27, 2010 at 2 p.m. EDT
live chat with director, Robert Kenner.

A number of other POV films are available in their entirety.
Watch more POV films now!

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Almost all youtube videos of Food Inc are not embeddable. Although this clip is now an embed, it may not continue to be for long.
Uploaded by rishsticks

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This upload of Food, Inc's trailer is now an embed.
It may not continue to be for long.

Uploaded by PaulChekLive

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Documentary: The World According to Monsanto

Part 1 of 10

Uploaded by MonsantoMovie

The documentary is a look at the history of the Monsanto corporation and the genetically modified crops they engineer. Covered are: the implications for biodiversity and personal health, to the corporate control of food.

About the Documentary:
www.greenpeace.org

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Friday, August 7, 2009

MUSIC BEATS THE BLUES - JOIN "PLAYING FOR CHANGE"

I love music. I think my soul is comprised of music.


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Playing For Change is on PBS in the Boston area August 7, 2009
1:00 p.m.
Channel WGBX
(Channel number 804 for me on Cox Cable)

A 57 minute version of the feature length documentary film, "Playing For Change: Peace Through Music," is going to air nationally on PBS throughout August-- click here for the schedule! Over the course of this film, you will not only have the chance to see and hear new amazing performances from around the world, but you will also get to meet the musicians who make them so special.

Additional screenings are being scheduled by PBS daily, so for the most up to date listing check with your local station. Updating of the screening schedule linked above will be at their website -- this schedule is current as of July 30th right now.

There is no better way to introduce your friends and family to Playing For Change than through this film, so please share this information with your loved ones!

See all songs www.playingforchange.com/episodes

The channel at youtube: www.youtube.com/user/PlayingForChange

News here: www.playingforchange.com/news

Be sure to catch Mark Johnson on PBS' Tavis Smiley this Monday, August 10th! For showtimes: http://www.pbs.org/kcet/tavissmiley/broadcast/

And then, on Wednesday, August 12, Mark will be joined by Grandpa Elliott, Peter Bunetta, Reggie McBride, and David Sancious (former keyboardist and guitarist of the E Street Band) on the Colbert Report! I hope you'll join me in tuning in to Comedy Central at 11:30pm / 10:30c to see Mark and the guys with Stephen Colbert!

There's lots more exciting news coming up soon, so be sure to check back frequently-- or Join the Movement for regular updates!

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Sunday, July 19, 2009

INTERNATIONAL JUSTICE MEANS LOCAL JUSTICE

I watched THE RECKONING tonight. It is well worth watching.

It is on PBS' POV (Point of View) as a documentary.

THE RECKONING about the ICC (International Criminal Court online
http://www.pbs.org/video/video/1182396986/program/1154485580

John R. Bolton, George W Bush's United Nations Ambassador hopefully will glaringly prove his flawed thinking on this show. A reminder: The Pledge of Allegiance to the Flag in the USA ends with the following words: "...and liberty and justice for all."

The United States needs to support the ICC. Below the information for the RALLY AT WHITE HOUSE IN SUPPORT OF JUSTICE FOR BASHIR is more information on THE RECKONING.


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JULY 22, 2009

DARFURIS TO RALLY AT WHITE HOUSE IN
SUPPORT OF JUSTICE FOR BASHIR

Protesters to call on Obama administration to act immediately to help bring
justice AND peace to Darfur

WASHINGTON – Darfuris, other Sudanese and Americans who share a common concern about the Obama Administration’s lack of response to the ongoing crimes against humanity in Sudan and Darfur will gather on Wednesday in front of the White House. Participants will deliver a letter to President Obama. From there, participants will walk to the State Department with a letter to the Secretary of State.

The rally is sponsored by the Damanga Coalition for Freedom and Democracy in cooperation with American Darfur activist organizations from across the country. Americans from across the country will also be participating in a National Call-in Day in support of the Darfuri rally. These events are timed to coincide with Special Envoy Gration’s trip to the Sudan and the announcement of the much-anticipated decision on the boundaries of the contested Abyei region. It also falls on the same day as President Obama’s prime time press conference to encourage discussion of Darfur and the ICC case against Bashir at the news conference.

Spokespeople will be available for interviews before, during and after the protest.

WHO: Mohamed Yahya, Executive Director of Damanga Coalition for Freedom and
Democracy, of Washington, DC, originally from West Darfur

WHEN: 1:00PM ET
Wednesday, July 22, 2009

WHERE: Start at Lafayette Square for White House Rally then march to the State Department

WHY: To issue a plea to President Obama and Secretary Clinton
for an unequivocal statement from the United States government in support of the
following:

1. International cooperation with the ICC and its indictments of Omar al-Bashir
2. The immediate deployment of the 26,000 UNAMID Peace Forces to Darfur with a
full Chapter VII mandate, and all necessary support and supplies;
3. Pressure on the Government of Sudan to allow all expelled humanitarian
organizations back into Darfur without any delays or conditions;
4. Strict trade sanctions against Chinese oil companies, and all other companies
investing in Sudanese oil or exporting weapons to Sudan;
5. The end of attacks on Refugee Camps in Chad and Darfur and the return of all
confiscated land to its rightful owners.

REQUESTING HELP
The rally organized by the Damanga Coalition in support of justice and peace in Darfur is planned for this Wednesday - JULY 22, 2009. There are many Darfuris on the East Coast who would like to travel to DC for the day but lack funding for the ground transportation expenses. Susan Morgan of the
Massachusetts Coalition to Save Darfur is working with Damanga and other Darfuri groups to raise enough money to fund vanpools from key locations like NYC, Philadelphia and Virginia. She estimates that with $1000 we would be able to help 30 – 40 Darfuris attend the rally.

If you or your organization is able to contribute (any small amount will help) please respond to her at Susan@paxommunications.org and let her know your pledge amount. Susan will then send you her address to for the check. Checks should be make payable to the Massachusetts Coalition to Save Darfur so that they will be tax deductible. Thanks for any help you may be able to provide.

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Justice doesn't just happen.

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THE RECKONING - about the ICC

Film Description

The Reckoning: former child soldiers from the Congo

Former child soldiers of the Thomas Lubanga UPC militia, Ituri, eastern Congo

The Reckoning: The Battle for the International Criminal Court is an epic, nail-biting account of the new International Criminal Court's struggle to prosecute perpetrators — however powerful or concealed they may be — of crimes against humanity as the Court fights to establish its own credibility on the world stage. The film shows the lead-up to the court's most recent and sensational action, the indictment of Sudan's President Omar al-Bashir on March 4, 2009, for crimes against humanity and war crimes. Established by treaty in 2002 in response to the mass atrocities that stained the late 20th century, the International Criminal Court (known as the ICC) is the first permanent international criminal court created to seek justice for victims of genocide, war crimes and crimes against humanity. But the Court, given a historic mandate by its founding 100-plus nations, was not given a police force or other enforcement arm. Moreover, the ICC faces major obstacles in pursuing its mission from nations that did not join the treaty.

The Reckoning: Prosecutor Luis Moreno-Ocampo

Prosecutor Luis Moreno-Ocampo in the International Criminal Court in The Hague, Netherlands

The Reckoning's history of the ICC's founding will be as valuable to those familiar with the story as to those new to it. But the film's central drama concerns events that occurred after 2002. For three years, the filmmakers followed chief ICC Prosecutor Luis Moreno-Ocampo and his team of investigators and prosecutors across four continents as they issued arrest warrants for Lord's Resistance Army leaders in Uganda, put an infamous Congolese warlord on trial, shook up the Colombian justice system and charged Sudan's al-Bashir with crimes against humanity. At every turn, Moreno-Ocampo and crew faced danger, hostility and resistance. The larger drama in The Reckoning is the fate of the ICC itself. Will this tiny court in The Hague succeed against the odds in forging a new paradigm for human rights and justice in the world?

The Reckoning has a mythological opening. A man holding a human skull in a lonely field offers perhaps the most eloquent argument for the ICC. "Without justice," he says, "people have no respect for each other. If this is left unpunished, it will be repeated." He is speaking of the more than 5 million people killed in the wars that have torn eastern Congo apart since 1998. But he might as well have been speaking for the victims of mass murder in Guatemala (200,000), Cambodia (1.7 million), East Timor (200,000), Sierra Leone (50,000), Bosnia (200,000) and Rwanda (800,000), to name only the most notorious cases. It was the horror of these events — and the prospect of more occurring — that brought the world's nations together at the 1998 Rome Conference and set in motion the negotiations that would lead to the ICC's establishment in 2002.

The Reckoning shows that the idea for the Court goes back further, to the Nuremberg Trials of Nazi leaders following World War II, which the United States was the leader in establishing. This connection is uniquely expressed in the film by Ben Ferencz, who, as a 27-year-old lawyer, prosecuted 22 German officers at Nuremberg for murdering over a million people; all were convicted and 13 were sentenced to death. Ferencz never forgot the horror of the Nazi death camps and became a writer on world peace and a tireless campaigner for a permanent tribunal to prosecute crimes against humanity. He recalls the significance of Nuremberg: that the Allies sought justice through rule of law, establishing that no one was above the law and that not only was the killing of civilians a war crime, but the murder of people on the basis of their race, creed or class — genocide — was a crime of the greatest magnitude. Ferencz was there at The Hague on June 16, 2003, when Moreno-Ocampo was sworn in as the first Prosecutor of the new International Criminal Court.

Moreno-Ocampo himself brings unique experience and moral authority to the ICC — and an acute awareness of its historical roots. In 1985, a younger Moreno-Ocampo successfully prosecuted members of the Argentine military junta that, from 1976 to 1983, conducted a "dirty war" of murder, "disappearances" and torture against its political opponents. "It was the first trial of generals since Nuremberg," Moreno-Ocampo notes. Later, as district attorney for the Federal Circuit of the City of Buenos Aires from 1987 to 1992, he prosecuted the military commanders responsible for the Falklands War, the leaders of two military rebellions and dozens of high-profile corruption cases.

Moreno-Ocampo's team includes such savvy lawyers and investigators as former U.S. federal prosecutor Christine Chung, the ICC's first senior trial attorney, who has been a visiting lecturer and senior fellow at the Schell Center for International Human Rights at Yale Law School. She is now a partner at the law firm Quinn Emanuel. Well aware of the obstacles facing the ICC, she describes the Court as a "justice start-up."

Three great powers — China, Russia and the United States — are not members of the Court. The United States actively opposed the Court during the George W. Bush administration. In The Reckoning, former U.S. Ambassador to the United Nations John R. Bolton explains his rationale for the American campaign against it. He doesn't ever want to contemplate U.S. leaders in an international dock. For Bolton, national sovereignty cannot be compromised. For its part, China opposes the ICC arrest warrant indicting Sudanese President al-Bashir, and Russia remains skeptical about it.

The ICC's job, as a court of "last resort," is to support and push national judiciaries to investigate and prosecute alleged crimes against humanity, war crimes and genocide. Only when a country's justice system proves completely incapable of dealing with such crimes, and only when asked, does the ICC step in directly — and then gingerly. Where international justice conflicts with national sovereignty, the ICC must employ both clarity of purpose and political diplomacy.

Thus, in Colombia, where officials "at the highest levels" have been implicated in the political violence ravaging the country, the Court throws its prestige and resources behind Colombian prosecutors who are fighting to investigate the allegations in the face of political opposition. In Congo, by contrast, the Congolese government has asked the ICC to intervene because chaos prevents any credible judicial process. So the ICC investigates and issues its own arrest warrant for Thomas Lubanga Dyilo, a notorious militia leader, for abducting children to serve as his child soldiers. To serve its warrant in Congo, the ICC must rely on local allies, in this case the government — making Dyilo the first war criminal brought to trial at the ICC's headquarters in The Hague.

The Sudan/Darfur case was referred to the ICC by the U.N. Security Council. Since many around the world see Darfur as a clear case of genocide by the Sudanese government against indigenous Darfurians, the government's open defiance of the ICC's warrant for al-Bashir forces the ICC to return to the U.N. Security Council itself to get the international community to bring pressure to arrest al-Bashir. At that point, the clarity provided by law and the U.N. is caught up in murky realpolitik.

In the case of Uganda, an even more difficult contradiction threatens to derail the ICC's work. The government of Uganda asked the ICC to investigate and bring the leaders of a rebel group, the Lord's Resistance Army (LRA), to justice. After 50 investigative missions documenting some 2,200 murders, the ICC prepares to bring warrants when the LRA leaders, clearly worried, try to turn the situation on its head. They come in from the bush, offering negotiations and a new era of peace and stability — but only if the ICC warrants are lifted. After so many years of war and death, even surviving victims of the LRA's worst atrocities find it all but impossible not to take the bait.

ICC prosecutors go on a campaign to convince Ugandans that, in the long run, there will be no peace or stability if the LRA leaders are allowed to get away with their crimes. Ultimately, whether speaking to the august ambassadors of state at the U.N. or to maimed villagers in Uganda, the ICC holds fast to the simple principle spoken by that Congolese man in the field: "Without justice, people have no respect for each other."

Nothing less than a real-life thriller, The Reckoning keeps you on the edge of your seat with two riveting dramas — the prosecution of three cases of unspeakable crimes against humanity and the ICC's fight for its own survival and effectiveness. Senior Trial Attorney Chung reveals the stakes that still hang in the balance when she wonders if the ICC will emerge as an effective institution for justice or simply a symbolic one, a "shadow" of what it was meant to be.

"I started out thinking that The Reckoning would be about the ICC's cases and trials, like any good crime thriller," says director Pamela Yates. "I quickly realized I had to expand the film's vision to include the far-reaching effects the ICC was having at the local level, with the tremendous amount of controversy as well as hope that its investigations were causing. The Court itself became the protagonist of The Reckoning, and all the cinematic elements were developed in realizing this idea."

The Reckoning: The Battle for the International Criminal Court is a production of Skylight Pictures. Visit the filmmakers' site, IJCentral if you want to support the international justice movement and join in their action campaigns.

  • Posted on June 8, 2009
  • Updated on July 17, 2009

ICC Timeline
ICC Timeline
Put the ICC in historical perspective with this multimedia timeline.

Filmmaker Interview
Filmmaker Interview
Filmmakers Pamela Yates and Paco de Onís talk about the challenges of making a film about the ICC.
International Justice and Human Rights
International Justice and Human Rights
Scholars, human rights organizations and political analysts discuss issues raised by the fil
Q&A with Christine Chung
Q&A with Christine Chung
Former ICC attorney Christine Chung answers questions about the court, the Obama administration’s policy towards the ICC and more

~~~~~~~~~~~~~~~~~~~~~~~

Write to President Obama
http://www.whitehouse.gov/contact/

You can also write to the President at:
The White House
1600 Pennsylvania Avenue NW
Washington, DC 20500

President Obama can be called:

202-456-1111
or
1-800-GENOCIDE

The White House comment line is available
9:00 a.m. - 5:00 p.m. weekdays

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Find USA elected politicians contact information at this link:
www.usa.gov/Contact/Elected.shtml

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

More Information:

www.stopgenocidenow.org

www.enoughproject.org
www.savedarfur.org
www.eyesondarfur.org

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Sunday, April 12, 2009

AN EFFORT TO SHOW THE NATIVE AMERICAN PERSPECTIVE - ON PBS


american experience

Monday Nights on PBS

April 13, 2009


Amex_WSR_top

Monday, April 13, 2009 at 9pm on PBS (check local listings)

Amex wsr1 sigNearly five years in the making, WE SHALL REMAIN comes to PBS this Monday, April 13. The first episode in the landmark five-part mini-series is After the Mayflower, which begins in New England in the 1620s, at the time of the so-called “first Thanksgiving.” In March of 1621, Massasoit, chief of the Wampanoag, negotiated a diplomatic alliance with a scraggly band of English settlers for the benefit of his people. It was a gamble that paid off for several decades, as Indians and colonists coexisted in relative peace.

A half-century later, as a brutal war flared between the English colonists and a confederation of New England Indians, the wisdom of Massasoit’s choice seemed less clear. From director Chris Eyre (Smoke Signals, Skinwalkers) this 90-minute film explores the polar strategies—peaceful diplomacy and warfare—the Wampanoag people employed in the struggle to maintain their identity.

To get a sneak preview of After the Mayflower, watch the first chapter online now!


Go Behind the Scenes of WE SHALL REMAIN

Watch these bonus clips, designed to take you onto the set of WE SHALL REMAIN, and listen as cast and crew reveal their personal stories about working on the project.

Amex_CassiusbtsIn this video, Cassius Spears, After the Mayflower cultural consultant, explains his collaboration with make-up artists, tattooing artists, and the wardrobe team. Spears focused on keeping the details accurate for the Wampanoag tribe in that time period and notes that each and every element “plays an important part of identifying us and telling a story about us.”


ReelNative Featured Video: "Hill High Low"

“Fear’s the only thing that stops creation.” Michael David Little

ReelNative_thumbnail

Watch this inspiring, quirky, and touching story of one Navajo man’s journey from homeless artist to painter and gallery owner. "Hill High Low" is part of WE SHALL REMAIN's contemporary, personal, short film project ReelNative.


Coming Up Next
WE SHALL REMAIN: Tecumseh’s Vision

Monday, April 20, 2009 at 9pm on PBS (check your local listings)

tecumseh's visionTecumseh’s Vision tells the story of the Shawnee leader Tecumseh and his brother, Tenskwatawa, known as the Prophet. In the years following the American Revolution, the Prophet led a spiritual revival movement that drew thousands of followers from tribes across the Midwest. His brother forged a pan-Indian political and military alliance from that movement, coming closer than anyone since to creating an independent Indian state.

Heard on Set

Amex_ChrisHeard
"I think in the series what you find is that nothing is simple. And nothing is black or white."
Director Chris Eyre

Producing this five-part series took the hard work and collaboration of hundreds of people — from filmmakers and actors to historians and cultural advisors. Here’s what some had to say about the importance of the series and what the phrase "we shall remain" means to them.

WE SHALL REMAIN Radio Series

On Monday, tune in to All Things Considered on NPR for the first of five companion radio stories airing in conjunction with WE SHALL REMAIN, produced by Native Public Media.

DavidWhiteWSR

This episode features David White, a member of the Nipmuc tribe in Massachusetts, and one of fewer than ten people who still speak the Nipmuc language. Hear how White must balance his day job as an electrician with his mission to single-handedly save his people’s language from extinction and examine the peculiar challenges posed by reviving a moribund language - for instance, having to rely in part on records and dictionaries preserved by white colonists.

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Tennis is in Monte Carlo

The time there is the same time as in my sidebar for Spain

Here is the website:

montecarlo.masters-series.com/1/en/home

And is custom, USA has no TV coverage.

Rafael Nadal has a bye in Round 1

Here is the link for the Draws

montecarlo.masters-series.com/2/en/results/draws

Pictures of Rafa and Andy Murray in front of the palace:

montecarlo.masters-series.com/2/en/players/photogallery


Tennis online starts at 10:30 a.m. Monte Carlo time, Monday, April 13

which is 4:30 a.m. USA EST

Rafa doesn't play on Monday

Prince Albert II of Monaco (3rd R), poses with (L to R) Feliciano Lopez of Spain, Novak Djokovic of Serbia, Rafael Nadal of Spain, Andy Murray of Great Britain and Fernando Verdasco of Spain during the ATP Masters Series launch party at the Grimaldi Forum on April 11, 2009 in Monte Carlo, Monaco.

Prince Albert II of Monaco (C), Rafael Nadal (L) of Spain and Andy Murray of Great Britain attend the ATP Masters Series launch party at the Grimaldi Forum on April 11, 2009 in Monte Carlo,Monaco.

Rafael Nadal of Spain attends the ATP Masters Series launch party at the Grimaldi Forum on April 11, 2009 in Monte Carlo,Monaco.

All photo credits: Michael Steele/Getty Images Europe

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Saturday, February 7, 2009

FINALLY - NATIVE AMERICANS GETTING SOME RESPECT ON SCREEN - PAY ATTENTION



We Shall Remain
, a provocative multi-media project
that places Native history
as an essential part of American history


from the award-winning PBS series American Experience


Main page of the Website for We Shall Remain

See Trailer We Shall Remain
Watch the Series Preview: Reel Native

Native Now
Sovereignty
Beyond the Broadcast ~ interactive_map
Enterprise

Communities across the nation are hosting WE SHALL REMAIN events. Find one in your area: local events

About the project We Shall Remain

At the heart of the project is a five-part television series that shows how Native peoples valiantly resisted expulsion from their lands and fought the extinction of their culture -- from the Wampanoags of New England in the 1600s who used their alliance with the English to weaken rival tribes, to the bold new leaders of the 1970s who harnessed the momentum of the civil rights movement to forge a pan-Indian identity. We Shall Remain represents an unprecedented collaboration between Native and non-Native filmmakers and involves Native advisors and scholars at all levels of the project.

>:>:>:>:>:>:>:>:>:>:>:>:>:>:>:>:>:>:>:>:
We Shall Remain: After the Mayflower
We Shall Remain: After the Mayflower

Airing April 13, 2009 (1.5 hrs.)

Web site/trailers




We Shall Remain: Tecumseh's Vision
We Shall Remain: Tecumseh's Vision

Airing April 20, 2009 (1.5 hrs.)

Web site/trailers




We Shall Remain: Trail of Tears
We Shall Remain: Trail of Tears

Airing April 27, 2009 (1.5 hrs.)

Web site/trailers




We Shall Remain: Geronimo
We Shall Remain: Geronimo

Airing May 4, 2009 (1.5 hrs.)

Web site/trailers




We Shall Remain: Wounded Knee
We Shall Remain: Wounded Knee

Airing May 11, 2009 (1.5 hrs.)

Web site/trailers


>:>:>:>:>:>:>:>:>:>:>:>:>:>:>:>:>:>:>:>:


Get an email reminder about the airing

Premiere Dates

Episode
1 April 13, 2009
2 April 20, 2009
3 April 27, 2009
4 May 4, 2009
5 May 11, 2009

....................................................

....................................................
This video is not part of the series referred to above.
It tells what is happening...still.
Uploaded by gomauro

Winds by Mauro

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Wednesday, February 4, 2009

HISTORY MOST OF US NEVER KNEW BECAUSE OUR HISTORY TEXTBOOKS WERE MORE PROPAGANDA THAN HISTORY


MUSCLES, SNOW AND DOWN TO NEW ORLEANS....


I have spent the last several hours transferring documents and pictures from my old computer to an external hard drive. It is a personal computer and I have a MAC now, so nothing is going to be usable without my changing it from a "read only" document to another copy that I can edit. I have four mice - is that how you say the plural of mouse in relation to computers? - and the only one that would work at all with this old computer is so dysfunctional that it has to be hit repeatedly and hard to get it to respond. And having a strained muscle in my hand - I unwisely continued to do this for hours.

Just below are pictures of my backyard. Pictured is the second of many snowstorms here this season. One snowstorm a year would be enough for me to feel I had winter. Currently, I have opted to let last night's storm lie where it fell, as I must have pulled muscles in my rib cage the last time I shoveled. It may melt by Saturday and I can drive over it until then.

Pictured below is the same northwest corner of my lot as pictured just above.
I have always loved color...

Portsmouth, Aquidneck Island or otherwise the Island of Rhode Island

Now, down to New Orleans.....
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Faubourg Tremé: The Untold Story of Black New Orleans

Faubourg Tremé premiered Thursday, January 29, 2009. Check Local Listings to see when it is airing on your local PBS station.

At this link http://www.pbs.org/faubourgtreme/ is a short clip of the film. And where I found this text:

Faubourg Tremé is considered the oldest black neighborhood in America, the origin of the southern civil rights movement and the birthplace of jazz. Long before Hurricane Katrina, two native New Orleanians, one black and one white — writer Lolis Eric Elie and filmmaker Dawn Logsdon — began documenting the rich, living culture of this historic district. Miraculously, their tapes survived the disaster unscathed. The completed film, Faubourg Tremé: The Untold Story of Black New Orleans, which critics have hailed as "devastating," "charming" and "revelatory," brims with unknown historical nuggets. Who knew that in the early 1800s while most African Americans were toiling on plantations, free black people in Tremé were publishing poetry and conducting symphonies? Who knew that long before Rosa Parks, Tremé leaders organized sit-ins and protests that successfully desegregated the city's streetcars and schools? Who knew that jazz, New Orleans' greatest gift to America, was born from the embers of this first American civil rights movement? Lolis Eric Elie, a New Orleans newspaperman, takes us on a tour of the city — his city — in what evolves from a reflection on the relevance of history into a love letter to the storied New Orleans neighborhood Faubourg Tremé. Faubourg Tremé: The Untold Story of Black New Orleans, executive produced by Wynton Marsalis and Stanley Nelson, will premiere on PBS in February 2009, a timely addition to the network's Black History Month programming (check local listings).
Irving Trevigne?s Ancestors

Craftsmen on Stoop-Master Carpenter Irving Trevigne's ancestors: Paul, Henry and Peter Broyard with two laborers outside Tremé building, circa late 1880/early 1890s.

Long ago, during slavery, Faubourg Tremé was home to the largest community of free black people in the Deep South and was a hotbed of political activism. Here, black and white, free and enslaved, rich and poor cohabited, collaborated and clashed to create America's first civil rights movement and a uniquely American culture. The Tremé district was damaged when the levees broke as a result of Hurricane Katrina. Many Tremé residents are still unable to return home, and the neighborhood is once again fighting many of the same civil rights battles first launched here 150 years ago. Faubourg Tremé: The Untold Story of Black New Orleans celebrates the resiliency of this community and explores how it managed to carve out a unique and expressive culture and history that is still enriching America and the world.

Elegant Portrait of an Anonymous Free Man of Color

Elegant Portrait of an anonymous Free Man of Color, circa 1860.

To find out more about Faubourg Tremé: The Untold Story of Black New Orleans please visit http://www.tremedoc.com/...

where this text is from

Lolis Eric Elie, a New Orleans newspaperman, takes us on a tour of the city – his city – in what becomes a reflection on the relevance of history folded into a love letter to the storied New Orleans neighborhood, Faubourg Tremé. Arguably the oldest black neighborhood in America and the birthplace of jazz, Faubourg Tremé was home to the largest community of free black people in the Deep South during slavery and a hotbed of political ferment. Here black and white, free and enslaved, rich and poor cohabitated, collaborated, and clashed to create America's first Civil Rights movement and a unique American culture. Faubourg Tremé: The Untold Story of Black New Orleans is a riveting tale of heartbreak, hope, resiliency and haunting historic parallels.

While the Tremé district was damaged when the levees broke, this is not another Katrina documentary. Long before the flood, two native New Orleanians—one black, one white—writer Lolis Eric Elie and filmmaker Dawn Logsdon, began documenting the rich living culture of this historic district. Miraculously, their tapes survived the disaster unscathed. The completed film, Faubourg Tremé: The Untold Story of Black New Orleans, which critics have called "devastating", "charming", and "revelatory" is a powerful testament to why New Orleans matters, and why this most un-American of American cities must be saved.

Elie and director Dawn Logsdon make clear the city's present, up through Katrina, remains steeped in its past- one that, for New Orleans, naturally includes an emphasis on music, heightened here by Derrick Hodge's original jazz score and over a hundred years of New Orleans music. This is a film of ideas, a historical film, a personal film and a celebration of place.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Genocide Ends

When Enough of Us

Stand Up Against It

JOIN US
1-800-GENOCIDE
www.savedarfur.org
www.genocideintervention.net

www.standnow.org

www.miafarrow.org


Write President Obama
www.whitehouse.gov
You can also call or write to the President:

The White House
1600 Pennsylvania Avenue NW
Washington, DC 20500

Comments to President Obama: 202-456-1111

~~~~~~~~~~~~~~~~~~~~~~~

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