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Monday, May 17, 2010

MY FAVORITE INTERVIEW OF HEATH LEDGER - CELEBRATING HEATH

I have been revisiting my favorite videos of Heath - fan tributes, interviews, him flying a plane - many of which I have posted at the Video Tributes to Heath thread of the forum at heathledgerplanet.com This one is from page 4 of the thread.


This tribute includes much of my favorite interview with Heath ~ given December 3, 2007 ~ so near the time we lost him
It's the radio interview Beyond the Subtitles with Stephen Schaefer.
Put together by someone who has become my friend ~ Johanna
I "met" Johanna at youtube via our common love for Heath
Known at Youtube as jopicca aka neverthesame here

My favorite portion of my favorite Heath interview:
"...Cause for me, like, what a success is – is, I mean the only time that I’m alive, and living and expressing and feeling,
and, and relating is, is, is when I’m on set and that time between “action” and “cut”
and so that’s the only thing that’s really important is how that experience is,
and, and how that experience will affect my life and what I have to give from my life to that experience.
And everything that happens after that – is just irrelevant. You know, it’s kind of um, if it’s a success, great,
if it’s not, great, fine. You know, it’s um, it affects you, or it doesn’t. alove

...Why I love him so....he speaks by letting his heart speak. And there is no pretense.

I posted my transcriptions at my blog post:
ilovemylifebrothersandsisters.blogspot.com/2009/07

And the transcriptions are copied and pasted below.

My favorite interview with Heath took place December 3, 2007
It's the radio interview Beyond the Subtitles with Stephen Schaefer. Below, I put the links to all three parts of the interview uploaded by springrose

Transcribed here is some of the interview's Part 1

Stephen Schaefer:
Brokeback Mountain really was, you know, in some ways was a career peak, so, or in many ways. Did it really change things for you, in the way you looked at yourself, or, uh the way you felt what you were able to then go do? …as an actor, in terms of what Hollywood would offer you?

Heath:
Yeah, yeah, yes, it did. Um, I’d like to not to think of it as a peak (laughs) cause I’m only 28, I have a few years."

Schaefer: You can have many peaks.

Heath: Oh, okay, good.

Schaefer: There are peaks and they’re valleys.

Heath: That’s true, true. Okay, um,

Schaefer: One of many career peaks.

Heath: Hopefully. Um, but yeah, it um, I get, yeah it did on many levels, I think personally it did too. I, I um, I’d been looking, I always look for things that challenge me and, and duh, and dum and teach me and, and teach me and, and to be more understanding, accepting human being, an actor and, and, and dum and that was a real task, there were a lot of obstacles and um.

You know, I, uh, I don’t think it was, I don’t think you can say it’s being brave or being courageous. It’s just, you know, uh, I just think it’s being honest, understanding, accepting of myself, and of the story, of the character. It did teach me a lot about that. And about your power. To believe. And, and um. so-o, you know, I-I on a personal level got a lot out of it. And uh, um. And definitely, it, it, uh, um, uh, you know it opened some doors. You know, people are uh, somewhat utterly trusting me more now. (Laughs) Which, I don’t know if that’s a good thing or a bad thing, for them. But, um you know, it’s um..so

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Transcribed here is some of the interview's Part 2


This part of Heath’s interview about He’s Not There - Heath mentions doing the the movie, The Imaginarium of Dr Parnassus with Terry Gilliam "in three weeks time". He also talks about The Masses record label, playing the guitar and learning to play the piano. And Candy is mentioned by Schaefer.

Heath: "...and dum, and then I do the Terrence Malik, movie right after that, then um The Tree of Life and then I um, and then I, I'll drop to the ground dead (laughs, Schaefer joins Heath in laughter) for a year...and duh, hybenate...um, mmm".

The following answer begins at 7:45

Heath: Yeah, I, I guess so. I-I guess you’d… you know, I don’t know whether it’s optimism or just kind of um, I..you know, it’s...

Sometimes , you just, you-you have to kind of throw away the care, like you have to not be too conscious of what will be a success and what won’t be. Uh, cause you really – that’s out of your power. And, and, like I said, look what is success? And um, uh, so I, you know I just, I- I try to look at what I feel like…the, the

Cause for me, like, what a success is – is, I mean the only time that I’m alive, and living and expressing and feeling, and, and relating is, is, is when I’m on set and that time between “action” and “cut” and so that’s the only thing that’s really important is how that experience is, and, and how that experience will affect my life and what I have to give from my life to that experience. And everything that happens after that – is just irrelevant. You know, it’s

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Transcribed here is some of the interview's Part 3


Heath: is, is when I’m on set and that time between “action” and “cut” and so that’s the only thing that’s really important is how that experience is, and, and how that experience will affect my life and what I have to give from my life to that experience. And everything that happens after that – is just irrelevant. You know, it’s (transcription above repeated from Part 2 here on Part 3) kind of um, if it’s a success, great, if it’s not, great, fine. You know, it’s um, it affects you, or it doesn’t.

But it’s, that shouldn’t in my, my mind, it shouldn’t kind dictate what your choices. Um, I, I –I just want to enjoy myself. I want to learn more. I want to work with good people. Um, creatively and as people who really just good people.

And duh, uh, so that, that, that drives me more than, then, well you know Terry had a really hard time on Brothers Grimm and you know, uh for some odd reason is finding it hard to get his next movie up and running. Oh, w-w, that’s too risky, I can’t be involved with that. No, no it’s like he’s one of the most creative, most visionary minds of, of, ever, in film history. I – I – I and a wonderful figure in my life. And had done a lot for me and cast me in The Brothers Grimm, when no one wanted to work with me at that stage of career. And, and, and uh, you know the company even once Terry brought me on board didn’t want me in the film and wanted to replace me and Terry said “No! I won’t do the movie without him for some odd reason.

Schaefer: Jesus, who knew?! Oh, God.

Heath: Yeah, you know, he, he’d given a lot to me and like if I can do anything to help him out then, then I will and dum, and so, you know, that’s the reason why.

Heath talks about the life of moving between staying home and working in films.

Schaefer: And final question.

And uh, this is something, you know, we ask actresses more often than actors. How do you find trying to have a balance then between your personal life and your professional life? With, you know, is it difficult, we see in the Dylan movie, the part you’re playing, that his personal life seems to really suffer from it. The celebrity.

Heath: Yeah, yeah it is difficult, but um, I mean, I can’t, I think my struggles are different to Robbie’s, I- I, but yeah, it is, but, it’s, it’s kind of heartbreaking in a sense – like having to-o, the inconsistency of your social life - kind of clocking in, checking in with your friends, and getting back a routine with your family, and, and life and kind of doing the washing, doing the dishes, maintaining your household, uh, commuting, uh, and then that just being chopped off and having three weeks go to London and, and work through Christmas and act in Vancouver and work to Martin and go off to Austin, Texas, and work there for three months then you’re away from them and everything for seven months and then you then you come back and try to rekindle it again, only to have it taken away, a year later. And, and it can be really tiring, it can be really lonely.

It can be (exhales) all these things, but, but, but we still do it. Like it’s because, you know, it’s what we love, it’s something that drives us to it. Or away from it. Or you know, there’s a fascination, an addiction to the lifestyle as well, I think, um. It’s a bit of a double-edged sword, I believe. Um, you know. Cause part of you wants to stay home and do nothing for the rest of your life, but as soon as you’re there, you want to get out and start working.

(Schaefer laughs, then Heath joins him) You know?

Schaefer, Yeah.

Okay, this is Stephen Schaefer for WPS1 Beyond the Subtitles.
So long, farewell and “Thank You, Heath Ledger”.

Heath: Thank You, Stephen.

The interview ends with the song: Knock, Knock, Knockin' on Heaven's Door

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Links to the interview

Beyond the Subtitles - Part 1

Beyond the Subtitles - Part 2

Beyond the Subtitles - Part 3

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Part 3


peacsx Sandra hugsx



I was just thinking of Heath Ledger's we are the masses this morning in bed...thinking I would go there again and leave one of my gratitude notes. I know I won't receive a reply - it isn't even done with that in mind. I write whoever reads my little heartfelt messages there at the contact link to say how inspired I am by Heath and how he has touched me and my life. It is one of the things I do that makes me feel closer to him.

I hate that bumper sticker slogan "sh_t happens". For me, I prefer "Magic Happens" because so, too, does it happen. And Heath was magic for me personified. I have had people who are really strangers to me pour their hearts out to me in long emails/notes at youtube about Heath and the personal effect he continues to have on them (just today, again). And I know for me, magic has come to my life, some of which is thoroughly Heath-inspired. If I focus on the goodness that Heath has brought to my life, then I expect to receive even more abundance and goodness. It isn't my thought that ~ what I think on, I get more of. Someone else came up with that little gem.

I have got to stop with the words and go practice. As you probably can tell, words are a vehicle of clarification and healing for me.


Artist - Friend of Heath Ledger:
Daniel Auber's Blog: auberdaniel.blogspot.com

Here Daniel explains to us the logo for We Are the Masses
Masses_LOGO.mov

HEATH'S PAGE AT
we are the masses



Our loves are only symbols of an unknown immortality.
Where communion is deep, there exists no separation at all,
...and what is supposed to be gone and past is often more real than ever...
Words of the Earth ~ Cedric Wright


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Sunday, July 26, 2009

A MOVING AURA AFTER DEATH - HEATH LEDGER WAS A VESSEL FOR BEAUTY AND CREATIVITY

If you are a creative person, you understand the drive that is just there to create. You are alive in those moments like no other thing can bring. You are drawn to the feeling because it makes you whole, internally rich and there is a natural high that comes with it. You feel complete at times of creating. When I heard Heath Ledger say in a radio interview of December 3, 2007, that the only time that he is alive...is between "Action" and "Cut", I knew what he meant.

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Heath Ledger
December 3, 2007
Radio Interview Part 2
Uploaded by springrose147

"Cause for me, like, what a success is – is, I mean the only time that I’m alive, and living and expressing and feeling, and, and relating is, is, is when I’m on set and that time between “action” and “cut” and so that’s the only thing that’s really important is how that experience is, and, and how that experience will affect my life and what I have to give from my life to that experience. And everything that happens after that – is just irrelevant. You know, it’s is, is when I’m on set and that time between “action” and “cut” and so that’s the only thing that’s really important is how that experience is, and, and how that experience will affect my life and what I have to give from my life to that experience. And everything that happens after that – is just irrelevant..." Heath Ledger

I have all three parts of the radio interview at this post:
ilovemylifebrothersandsisters.blogspot.com/2009/07/poetry-by-sandra-hammel-beauty-can-be

And Part 3 of the Radio Interview can also be found by clicking this post's title. Part 3 ends with the song Knockin' on Heavens Door.

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The Four Feathers - Heath Ledger is magnificent in this wonderful story
Special Feature 1 from the wonderful DVD
Uploaded by springrose147

I posted the above videos before, but felt like I wanted to post them again.
See four Special Feature video segments that I posted at that previous blog post:
cant-help-but-be-pulled-toward-heath

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Heath Ledger and his 'gentle way'

Even as a teen-idol, he showed signs of being separate from the pack.
...."His energy and enthusiasm for life will never cease to inspire me," said Ledger's longtime friend and business partner Matt Amato. "A friend of mine said after Heath died that we must continue in Heath's 'gentle way.' Those words sounded perfect to me -- Heath's gentle way."

..."I was intimidated by how worldly wise he seemed to be and how much he understood himself," said Jason Isaacs, who played the sadistic Col. Tavington in "Patriot." "He took a house in the forest while we all lived together in a condo. Like many in my profession, I seem to need company and to fill the silence with noise; he didn't need that, and he was very happy in his house in the forest. I know 21-year-olds; I'd never met a 21-year-old like him."

In 2001's "Monster's Ball," he made an indelible impression in a brief appearance as a tough death-row guard's sensitive son. It was an understated, soulful turn in a supporting role -- hardly the stuff of a teen idol lusting for fame.

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Daniel Day-Lewis SAG Speech w/ Heath Ledger

Uploaded by meyster7

Indeed, Daniel Day-Lewis, who had never met Ledger, cited that performance last year while dedicating his SAG win for "There Will Be Blood" to the young actor just five days after his death, saying his character "seemed to be almost like an unformed being, retreating from themselves, retreating from his father, from his life, even retreating from us, and yet we wanted to follow him, and yet were scared to follow him, almost. It was unique."


...delicate transformation earned Ledger his first Academy Award, Golden Globe and BAFTA nominations. Beyond his rich emotional life as Ennis Del Mar in "Brokeback Mountain," his subtle technical choices in the film were the fine strokes that completed the painting. His clenched jaw, tight shoulders and habitual mumbling spoke of a man stoically refusing to express his true self. It was only with his secret lover that Ennis could allow his muscles to relax, his voice to come out clearly.

In 2005, Ledger joined Amato in the Los Angeles-based arts collective the Masses to hone the skills to direct films, starting with music videos. A rapidly developing visual style is apparent in the handful of his videos released so far, for artists such as Ben Harper. His steep growth curve can be seen in two pieces he directed for rapper and childhood friend Nfa: The first, "Seduction Is Evil," is a fairly straightforward presentation, possibly inspired by "Chicago"; the second, "Cause N Effect," is something much freer, abstract and striking. Two more are complete and awaiting release: one of Australian singer Grace Woodroofe covering David Bowie's "Quicksand" and an animated clip Ledger designed and storyboarded for Modest Mouse, completed after his death.

"Both these new videos reflect Heath's talents as a visionary artist. Someday, there will be an exhibit of his stunning photographs," said Amato in an e-mail exchange. "What Heath brought to us at the Masses was his pure creative energy, chessboards and surfboards.

"One fond memory I have is how he assisted me on a difficult edit. My carpal-tunnel syndrome was acting up . . . so Heath said, 'I'll be your hands.' And he was."

Ledger's next projects included the gritty drug-addiction drama "Candy" and the Bob Dylan tribute "I'm Not There," making it possible to trace the evolution of his sexual cool from the charming teen of "10 Things" to the swaggering musical star he played in the Todd Haynes movie. Then came "The Dark Knight." With his terrifying alchemy as the Joker -- which may earn only the second posthumous acting Oscar -- Ledger gave his final completed performance.

"Dark Knight" director Christopher Nolan, at a recent DGA symposium, spoke of Ledger's deep commitment to the role for months before shooting even began, saying the actor would call him up to talk about the character, how he should play him, and about other actors, movies and TV shows that had influenced him.

"Patriot" costar Isaacs witnessed it firsthand. Just before "Dark Knight" started shooting in London, he ran into Ledger and his then-partner Michelle Williams and their baby daughter. The new father was carrying around a notebook in which he was jotting ideas about the Joker. Remembering the 28-year-old Aussie's "boundless energy" and love of life and his daughter, Isaacs said of the young actor's fatal overdose of prescription drugs, "I knew in my heart there was no way it was suicide.

"I'll tell you an odd thing that happened," he added. "He died and everybody who had known him and worked with him on 'The Patriot,' we all phoned each other. Not like everybody didn't know; it was all over the headlines. None of us had anything particularly interesting or profound to say; we just wanted to say his name out loud. And be sad together. Because he was a lovely person."

Read the full article at
theenvelope.latimes.com/awards/oscars/la-en-heath11-2009feb11,0,5433699.story

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